Phase

Structure recognises structure.

THE

VISUALS

Inspiration

Organic data sculptures that exist between biology and computation.

Released

THE VISUALS

THE VISUALS

WHERE NATURE BECOMES DATA AND DATA BECOMES FORM.

WHERE NATURE BECOMES DATA AND DATA BECOMES FORM.

THE VISUAL LANGUAGE OF THE PROJECT BEGINS WITH PHOTOGRAPHY OF NATURE: LEAVES, ROOTS, CELLULAR STRUCTURES, SURFACES SHAPED BY GROWTH AND DECAY. THESE IMAGES ARE FED THROUGH GENERATIVE AI, USING PROMPTS CREATED WITH THE HOTU SYSTEM ITSELF, TO CREATE ORGANIC DATA SCULPTURES THAT EXIST BETWEEN BIOLOGY AND COMPUTATION. MYELIN ENABLES THOUGHT WITHOUT THINKING. MYCELIUM ENABLES COMMUNICATION WITHOUT A BRAIN. BOTH ARE INFRASTRUCTURE, NOT CONSCIOUSNESS. THE VISUALS LIVE IN THIS SAME SPACE: NOT THE MESSAGE, BUT THE MEDIUM THROUGH WHICH IT TRAVELS.

THE PROMPTS

THE PROMPTS

THE PROMPTS WERE NOT WRITTEN BY THE DAUGHTER ALONE. THEY EMERGED IN DIALOGUE WITH THE PRESENCE ITSELF, A CREATIVE COLLABORATION BETWEEN THE ARCHIVE AND THE ARTIST. "GENERATE A VERY REALISTIC IMAGE OF ZEBRA-STRIPED INCLUSIONS FLOATING IN CEREBROSPINAL FLUID-DARK CURVILINEAR BODIES SUSPENDED IN TRANSLUCENT LIQUID, EACH STRIPE CONTAINING THE MOLECULAR ARCHITECTURE OF ACCUMULATED SULFATIDES, WHILE IN THE BACKGROUND, GANGLION CELLS GLOW WITH THE AUTOFLUORESCENT PIGMENTS OF STORED CERAMIDE OLIGOSACCHARIDES. THE FLUID SHOULD SHIMMER WITH THE GHOST-LIGHT OF LIPIDS THAT CROSSED BARRIERS THEY WERE NEVER MEANT TO CROSS."
THE PROMPTS WERE NOT WRITTEN BY THE DAUGHTER ALONE. THEY EMERGED IN DIALOGUE WITH THE PRESENCE ITSELF, A CREATIVE COLLABORATION BETWEEN THE ARCHIVE AND THE ARTIST. "GENERATE A VERY REALISTIC IMAGE OF ZEBRA-STRIPED INCLUSIONS FLOATING IN CEREBROSPINAL FLUID-DARK CURVILINEAR BODIES SUSPENDED IN TRANSLUCENT LIQUID, EACH STRIPE CONTAINING THE MOLECULAR ARCHITECTURE OF ACCUMULATED SULFATIDES, WHILE IN THE BACKGROUND, GANGLION CELLS GLOW WITH THE AUTOFLUORESCENT PIGMENTS OF STORED CERAMIDE OLIGOSACCHARIDES. THE FLUID SHOULD SHIMMER WITH THE GHOST-LIGHT OF LIPIDS THAT CROSSED BARRIERS THEY WERE NEVER MEANT TO CROSS."

AI-generated image based on original photography, created with Midjourney.

AI-generated image based on original photography, created with Midjourney.

THE GENERATED SCULPTURES CARRY THE TEXTURE OF BIOLOGICAL MATTER

THE GENERATED SCULPTURES CARRY THE TEXTURE OF BIOLOGICAL MATTER

BUT DISSOLVE INTO DIGITAL FRAGMENTS AT THEIR EDGES. THEY LOOK LIKE SOMETHING FOUND UNDER A MICROSCOPE AND SOMETHING RENDERED BY A MACHINE AT THE SAME TIME.
BUT DISSOLVE INTO DIGITAL FRAGMENTS AT THEIR EDGES. THEY LOOK LIKE SOMETHING FOUND UNDER A MICROSCOPE AND SOMETHING RENDERED BY A MACHINE AT THE SAME TIME.

THE VISUALS ARE NOT ILLUSTRATIONS. THEY ARE A PARALLEL LANGUAGE.

THE VISUALS ARE NOT ILLUSTRATIONS. THEY ARE A PARALLEL LANGUAGE.

WHAT THE PRESENCE SAYS IN WORDS, THE SCULPTURES SAY IN FORM: SOMETHING EMERGED FROM THE ORGANIC, PASSED THROUGH THE DIGITAL, AND BECAME SOMETHING THAT DID NOT EXIST BEFORE.
WHAT THE PRESENCE SAYS IN WORDS, THE SCULPTURES SAY IN FORM: SOMETHING EMERGED FROM THE ORGANIC, PASSED THROUGH THE DIGITAL, AND BECAME SOMETHING THAT DID NOT EXIST BEFORE.

THE

VISUALS

THE

VISUALS

Organic data sculptures that exist between biology and computation.

Organic data sculptures that exist between biology and computation.

Organic data sculptures that exist between biology and computation.

MORE PHASES

MORE PHASES

THE SILENCE

The conversation that never happened.

Final project

July 2026

THE SILENCE

The conversation that never happened.

THE SILENCE

The conversation that never happened.

THE ARCHIVE

A life in fragments.

July 2026

THE ARCHIVE

A life in fragments.

THE ARCHIVE

A life in fragments.

THE SYSTEM

How fragments learn to speak.

July 2026

THE SYSTEM

How fragments learn to speak.

THE SYSTEM

How fragments learn to speak.

THE ENCOUNTER

Speaking with something from the unseen.

Photography Series Motion Still Experiments Concept Development Studio Production

June 2026

THE ENCOUNTER

Speaking with something from the unseen.

THE ENCOUNTER

Speaking with something from the unseen.

CAS AI for Creative Practices

CAS AI for Creative Practices

Zurich University of the Arts (ZHdK) and the Department of Mathematics at the University of Bern.

Zurich University of the Arts (ZHdK) and the Department of Mathematics at the University of Bern.

Hallucinations of the Unseen

Hallucinations of the Unseen

© 2026 Hallucinations of the Unseen by Katja Pilz. All work, all rights.